In world-famous platforms from Netflix to Amazon Prime and Apple, an important part of the series fall into this group. Because the general audience is interested in watching exciting works that rely on the creation of puzzles and enjoy being with the protagonist to solve the puzzle. In recent years, many serials have been made in this regard on domestic platforms, such as "In Cold Blood" by Amir Hossein Torabi, "Professional" directed by Mustafa Taghizadeh, "Frog" by Homan Sidi, "Translator" directed by Bahram Tawakli, Vertigo directed by Bahrang Tawfighi, The Fall directed by Sajjad Pahlvanzadeh, Red Square directed by Ebrahim Ebrahimian, Kari Kari directed by Mohammad Hossein Mahdovian, I want to stay alive directed by Shahram Shah Hosseini, and Lion's Skin directed by Jamshid Mahmoudi. In all of them, the formulas of this genre are used, and the element that helped some of them to be more visible is the script and its milestones. For example, it is possible to refer to Zhog Kari, which is considered a good example of a literary adaptation, which was able to reach a long screenplay from a novel of one hundred and twenty pages and tell its story with leaves added to the book. slow In the meantime, some characters have been added or subtracted, and the relationships between them have become stronger or weaker. For example, we can mention the character of Malik and his relationship with Mansurah, who was named Mansour in the book, and basically such a character did not exist externally in the book. In spite of all this, the wound is an attractive and spectacular work that pulls the audience along until the end, and of course, the brilliant performances of Javad Ezzati, Rana Azadivar, Siavash Tahmourth and Abbas Jamshidifar were also not without influence.

In the same way, the skin of the lion, which has an attractive story and takes the audience with it to the end to solve its mystery. An important part of the success of this سریال is the correct use of stereotypes and elements of the police genre without overdoing it. Mahmoudi and the writers of Poast Shir screenplay have used the format of Shah Pirang to narrate their story and have attached attractive sub-stories to its body. A middle-aged man named Naeem is released from prison after fifteen years and goes to his ex-wife and only daughter (Sahel) to make up for the years of his absence. With Naeem's search for a clue of the killer, Lion's Skin, which happens to have a relatively slow rhythm, takes on a faster rhythm and introduces other attractive characters to the story. Reza Parvaneh and Sadra are considered to be the most important of them who stand next to Naeem and put pieces of the puzzle of the story next to each other. At the same time, they alone form part of the side stories of the series. Especially Reza, who is a multi-layered and extremely familiar type-character for the audience, who has many behavioral similarities with Naeem, and seems like a disciple and Murad.

  Falling also has another form of suspense and excitement and tells its ups and downs story centered on a woman trapped in the heart of Mosul occupied by ISIS. A story full of excitement that places its characters in two poles, positive and negative, and a powerful drama has been formed from their fierce confrontation. The fall has a good technical quality and Pahlavanzadeh, who has a good experience in editing, has used this experience in the best way to improve the rhythm of the work.

  Hooman Sidi has deconstructed his story in the frog and brings the audience with his complex and multi-dimensional hero. Sidi has used time back and forth in the best way for the benefit of his non-linear mystery story and curiously draws the audience to follow Ramin, Noori, Leila, etc. Another important point that is clearly visible in the frog is the fast rhythm of work and avoiding stretching the story and increasing the number of its parts. Especially in the last third, where there is good excitement and the knots are opened in a suitable way. The number of sub-stories is another winning feature of Bagagheh's screenplay in facing its audience, which has advanced the story well and light. It focuses on the relationship between different characters. Just as flashbacks have been used to define characters in the past and we can see a brilliant example of it in Ramin's adolescence and his presence at a wedding ceremony with his parents in Gilan. In the same way, the past of Nouri and his sister, whose blackness started from the past and will not let them go until death.

Siddi, who has many years of acting experience, has done an excellent job in choosing his actors and has shown special intelligence, especially in choosing supporting actors. Saber Abar and Navid Mohammadzadeh are the right choices for the main roles of the series and have succeeded in showing their inner layers. Also, Frog is a collection of brilliant supporting roles, including Mohammad Amin Shearbaf in the role of Soroush and Hadi Taslimi in the role of Farhad, who had a relatively short appearance but appeared believable. At the same time, the short but effective appearance of (Mehran Ghafourian) in the role of Kian cannot be easily overlooked.

  The Amsterdam series directed by Masoud Karagozlu, which is being broadcast in theaters these days, is considered the latest example in this regard, which has a nested story and has the necessary traction to bring the audience along with it. The non-linear narrative method, along with the presence of actors such as: Mehdi Soltani, Shahram Hekhit Dost, Mehdi Pakdel and Hengameh Ghaziani, are among the other winning cards of the سریال آمستردام in facing the audience.